My work engages with the profound legacy of Ghanaian ceramics, bridging its rich historical foundations with a bold contemporary vision. Drawing upon the intricate symbolism of Kente patterns in textiles and Adinkra motifs, I transform these culturally significant elements into a visual language that challenges traditional boundaries and redefines ceramic art on an international stage. By navigating the intersections of form, symbolism, and materiality, my practice interrogates the tensions between tradition and modernity, cultural preservation and innovation, as well as the dynamic exchanges that occur within and across cultures.