My work engages with the profound legacy of Ghanaian ceramics, bridging its rich historical foundations with a bold contemporary vision. Drawing upon the intricate symbolism of Kente patterns in textiles and Adinkra motifs, I transform these culturally significant elements into a visual language that challenges traditional boundaries and redefines ceramic art on an international stage. By navigating the intersections of form, symbolism, and materiality, my practice interrogates the tensions between tradition and modernity, cultural preservation and innovation, as well as the dynamic exchanges that occur within and across cultures.

At its core, my research delves into the concept of space—both physical and metaphysical—as a lens for exploring transitions through borders, identities, and emotional terrains. My work functions as a monumental visual diary, chronicling experiences of navigating spaces that evoke a spectrum of emotions: loss, belonging, acceptance, isolation, and nostalgia. This diary embodies the universal human experience of crossing thresholds—whether geographic, cultural, or personal—and reflects my commitment to creating art that resonates across different contexts.